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    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 133 results for John Lane, The Bodley Head
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Stage Fort across Gloucester Harbor
Fitz Henry Lane (formerly Fitz Hugh Lane)
1862
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen
ca. 1624–25
Illustration for "The Six Dead Secrets" from "Topsy-Turvy Tales"
William Heath Robinson
ca. 1923
"The End," tailpiece for "Topsy-Turvy Tales"
William Heath Robinson
ca. 1923
"Hitherto I Have Performed it Myself" (for "Six Dead Secrets" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"Who Got it from the Fruit-woman" (for "Perriwinkie, The Puddock" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"And It Glared at the Dear Old Woman" (for "Hanky Panky" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"And in it She Floated Home Safely" (for "Skinnemelink" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"They Heard Six Voices Calling Them Back" (for "Two Wee Pogeys" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"Some Busybody Will Come Along" (for "The Kelpie of Snooziepool" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"Over Farms and Fields and Rivers and Ponds" (for "Cosy Hokie" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"He looked a fine figure of a frog" (for "Peeriwinki the Puddock" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"He Made for the Door" (for "The Chocolate Ghost" in "Topsy-Turvy Tales")
William Heath Robinson
ca. 1923
"A Spirited Epiphonema -- raised a third and sometimes a full fifth above the key of the discourse" (for "Tristram Shandy")
John Archibald Austen
ca. 1927
Emma from "Madame Bovary"
John Archibald Austen
ca. 1928
Haidée and Juan (for "Don Juan")
John Archibald Austen
ca. 1926
Unused Tailpiece Design for "The Duchess of Malfi"
Henry Weston Keen
ca. 1930
"While he was talking of every-day matters, her mind was in a reverie far away" (for "The Red Lily")
Donia Nachshen
ca. 1930
"She has taken great pains in honor of her husband's memory, who was said to have loved Italian art" (for "The Red Lily")
Donia Nachshen
ca. 1930
Spider, Web, Snake and Flowers (for "The Duchess of Malfi and The White Devil")
Henry Weston Keen
ca. 1930
The Ghost of Isabella (for "The White Devil," Act III, scene iii)
Henry Weston Keen
ca. 1930
Floral Tailpiece Designs for "The Duchess of Malfi" and "The White Devil"
Henry Weston Keen
ca. 1930
Skull Crowned with Snakes and Flowers (for "The Duchess of Malfi")
Henry Weston Keen
ca. 1930
The Climax, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
The Dancer's Reward, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
The Russian Ballet in Western Europe 1909–1920
Walter Archibald Propert
1921
Love in a Dream, from Daphnis and Chloe
Charles Ricketts
1893
The Sphinx
Charles Ricketts
1894
Illustration for "Hanky Panky," Topsy-Turvy Tales
William Heath Robinson
ca. 1923
The Cloud Kingdom
Isaac Henry Wallis
[1905]
The Sphinx
Oscar Wilde
1920
Ballads Weird and Wonderful
R. Pearse Chope
1912
The Quest of the Golden Girl
Richard Le Gallienne
1896
Sketches in Poetry, Prose, Paint and Pencil
James Henry Worthington
1916
The Suitors of Aprille
Norman Garstin
1900
A Memoir by Ezra Pound
Henri Gaudier-Brzeska
1916
Virgin and Child with Saints Catherine of Alexandria and Barbara
Hans Memling
early 1480s
Blast, No. 1
Wyndham Lewis
1914
John and Salomé, for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]
The Woman in the Moon (frontispiece), for Salomé by Oscar Wilde
Aubrey Vincent Beardsley
[1907]